At the centre of director Vishnu Aravind’s Madhuvidhu is a house where three generations of men live in harmony. Unlike the Anjooran household in Godfather (1991), women aren’t banned here; they simply choose not to come. For the protagonist, Amrithraj alias Ammu (Sharafudheen), 28 marriage proposals came through but not a single moved to the next stage.

When a not-so-cordial first meeting with Sneha (Kalyani Panicker) inevitably turns into mutual attraction, things appear to change. However, some unexpected hiccups are waiting for them as they belong to different religions. Writers Jai Vishnu and Bipin Mohan don’t seem to have any major ambitions with Madhuvidhu, but they seem rather content to aim for the middle space of a feel-good entertainer. But even with that, they end up hitting further lower.